RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
   45 46 47 48 49 50 51 52 53 54  
 
 Prev Artist   Next Artist 
RAFFAELLO Sanzio The annunciation oil painting


The annunciation
Date between 1502(1502) and 1503(1503) Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen. English: Tempera grassa (egg-oil) on canvas. Español: Óleo sobre lienzo. Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile. Italiano: Tempera grassa su tavola trasportata su tela. Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in). cjr
Painting ID::  86060 		RAFFAELLO Sanzio
The annunciation
Date between 1502(1502) and 1503(1503) Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen. English: Tempera grassa (egg-oil) on canvas. Español: Óleo sobre lienzo. Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile. Italiano: Tempera grassa su tavola trasportata su tela. Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in). cjr
   
   
     
RAFFAELLO Sanzio Madonna della Seggiola oil painting


Madonna della Seggiola
1514(1514) Medium Oil on wood cyf
Painting ID::  86225 		RAFFAELLO Sanzio
Madonna della Seggiola
1514(1514) Medium Oil on wood cyf
   
   
     
RAFFAELLO Sanzio Angel oil painting


Angel
Date 1500-1501 Medium Oil on wood Dimensions 57 x 36 cm (22.4 x 14.2 in) cjr
Painting ID::  86318 		RAFFAELLO Sanzio
Angel
Date 1500-1501 Medium Oil on wood Dimensions 57 x 36 cm (22.4 x 14.2 in) cjr
   
   
     
RAFFAELLO Sanzio The Crowning of the Virgin oil painting


The Crowning of the Virgin
Date between 1502(1502) and 1503(1503) Medium Oil on canvas, transferred from panel Dimensions Height: 267 cm (105.1 in). Width: 163 cm (64.2 in). cjr
Painting ID::  86394 		RAFFAELLO Sanzio
The Crowning of the Virgin
Date between 1502(1502) and 1503(1503) Medium Oil on canvas, transferred from panel Dimensions Height: 267 cm (105.1 in). Width: 163 cm (64.2 in). cjr
   
   
     
RAFFAELLO Sanzio Portrait of Dona Isabel de Requesens, Vice-Queen of Naples oil painting


Portrait of Dona Isabel de Requesens, Vice-Queen of Naples
Date 1518(1518) Medium Oil on wood transferred to canvas Dimensions Height: 120 cm (47.2 in). Width: 95 cm (37.4 in). cjr
Painting ID::  86661 		RAFFAELLO Sanzio
Portrait of Dona Isabel de Requesens, Vice-Queen of Naples
Date 1518(1518) Medium Oil on wood transferred to canvas Dimensions Height: 120 cm (47.2 in). Width: 95 cm (37.4 in). cjr
   
   
     
         45  46  47  48  49  50  51  52  53  54   
Prev Artist       Next Artist     
     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team